Jazz Mavericks of the Lone Star StateUniversity of Texas Press, 2007 - 242 páginas Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism. |
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... Wright performs with a cup mute after the manner of King Oliver . Since Wright was only sixteen at the time and Oliver had been a major fig- ure for a decade , it seems clear that Wright was aware of the King either from having heard ...
... Wright , on the other hand , was definitely a blues man . On alto Wright at times sounds more like a tenor , his tone gruffer than Parker's and his ideas fiercer , more ferocious . While Wright does not offer Parker's complex bebop ...
... Wright's work with his fellow Texan and trumpeter Richard Williams of Galveston , whose first and only album under his own name , New Horn in Town , was record- ed in November 1960. Wright in turn would enlist Williams for the altoist's ...
Contenido
JAZZ MAVERICKS OF THE LONE STAR STATE | 1 |
THE ROOTS OF TEXAN JAZZ | 9 |
6 | 81 |
Derechos de autor | |
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