Roots to Popular Culture: Barbadian Aesthetics : Kamau Brathwaite to Hardcore Styles |
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Contenido
Series preface and acknowledgements | 1 |
Tuk theory aesthetics and technology | 49 |
Ensemble | 69 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
Adisa African appears Arrivants artists attempts audience Bajan Barbadian Barbados becomes begins Black Brathwaite Brathwaite's called calypso Caribbean chapter characters church collection composer composition concern continued created critical culture direct discourse drum early effect engage episode example experience fact Festival folk Gabby Gabby's give given gospel hear important individual interpretation island issues John kind language late Layne-Clark leading less listen live Lottie Mabel major means Mother Poem movement noted Okras oral performance played poem poet poetry political popular practice present Press production radio reading recorded refers response rhythm seems sense significant singing situation comedy social society song sound stage structures style suggest throughout tion titles tradition Trinidad tuk band University verse vocal voice West Wirl writer
Referencias a este libro
Constructing Vernacular Culture in the Trans-Caribbean Holger Henke,Karl-Heinz Magister Vista previa limitada - 2008 |