Contemporary Caribbean Women's Poetry: Making StylePsychology Press, 2002 - 260 páginas Contemporary Caribbean Women's Poetry provides detailed readings of individual poems by women poets whose work has not yet received the sustained critical attention it deserves. These readings are contextualized both within Caribbean cultural debates and postcolonial and feminist critical discourses in a lively and engaged way; revisiting nationalist debates as well as topical issues about the performance of gendered and raced identities within poetic discourse. Newly available in paperback, this book is groundbreaking reading for all those interested in postcolonialism, Gender Studies, Caribbean Studies and contemporary poetry. |
Contenido
1 Literary mothers? | 1 |
2 The lure of the folk | 51 |
3 Speaking and performing the Creole word | 89 |
righting or writing the body? | 148 |
5 Playing the field | 213 |
Bibliography | 249 |
257 | |
Otras ediciones - Ver todas
Contemporary Caribbean Women's Poetry: Making Style Denise deCaires Narain Vista previa limitada - 2003 |
Contemporary Caribbean Women's Poetry: Making Style Denise deCaires Narain Vista previa limitada - 2003 |
Contemporary Caribbean Women's Poetry: Making Style Denise DeCaires Narain Sin vista previa disponible - 2002 |
Términos y frases comunes
African Allfrey's Amryl Johnson anthology argues associated Bennett's poems black woman Bloom Boyce Davies Brathwaite Breeze Brown Carib Caribbean poetry Caribbean Women Writers Caribbean women's poetry challenge collection colonial context Creation Fire Creole Creole-use critical culture Dionne Brand discourse discussion Dominica dramatizes dub poet dub poetry écriture féminine Edward Kamau Brathwaite emphasis English essay example explore female feminism feminist figure focus foregrounds gendered Goodison Grace Nichols Heartease Ibid included Jamaica Labrish Jamaica Woman kind Kingston language literary London long memoried woman Louise Bennett male Marson Merle Collins Mervyn Morris Moth mother nation Nourbese Philip Olive Senior oral Palm and Oak performance Phyllis Shand Allfrey poem concludes poetic identity poetic voice political postcolonial Press published rhythm Riddym Ravings Rohlehr role Selected Poems sense sexual signals speak speaker stanza suggests Tries Her Tongue Turn Thanks Virago West Indian poetry West Indies woman's body words writing