Aesthetics, Form and Emotion

abstract aesthetic experience answer appreciation argue argument artist attitude cerned certainly Cleanth Brooks coherence complex concern course criteria criticism David Pole disgust distinction distinguish doubtless emotion evaluation example expression F. R. Leavis fact fear feature feel further generalisations Goodman hence I. A. Richards imaginative innocent eye instance intellectual interpretation issue Kant kind least Leavis Leavis's less literary literature logical look matter mean merely Milton moral nature Nausea non-aesthetic normal notion objects organisation P. F. Strawson Paradise Lost pattern perhaps philosophical picture poem poetry possible precisely present problem qualities question reading recognise relevant representation representational art resemblance response Richard Wollheim Roger Scruton Sartre Scruton Seagram Building seek seems sense serve sort speak Strawson suggested suppose surely T. S. Eliot theory things thought tion tone true Urmson vision whole wholly Wollheim words writes