Jazz Mavericks of the Lone Star StateUniversity of Texas Press, 2009 M12 3 - 256 páginas Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism. |
Dentro del libro
Resultados 6-10 de 49
... heard around them , and associated with their fellow Texans in local or territory bands . It has been particularly important to such musicians that African American music in Texas reaches back to its earliest forms , including work ...
... inet , Bill on drums , Hilton on piano , and Tom ( the youngest at sixteen ) on cornet . Used by permission of Pat Howell Crutsinger . heard in most every part of the state. But none 10 Jazz Mavericks of the Lone Star State.
Dave Oliphant. heard in most every part of the state. But none of these forms was jazz as it is thought of today. That is, these musical forms were not played prima- rily with wind instruments (with the exception of ragtime bands and the ...
... heard spirituals and reported being able to sing them " with no trouble at all . ” 10 After touring the Southwest as far as California and into Mexico , first with R. J. Marin's Southern Trumpeters and then in 1924 with Doc Ross and his ...
... heard him on riverboats or during the older musician's reported trips through Texas and Missouri . But even if Wright was influ- enced by Oliver , the younger musician could hold his own , especially in terms of a blues - inflected ...
Contenido
1 | |
9 | |
The Texas Jazz Connections | 33 |
Kenny Dorham and Leo Wright | 45 |
5 BRITISH ACOLYTES OF JAZZ AND ITS TEXAS CONTINGENT | 61 |
6 THE WISCONSINTEXAS JAZZ NEXUS | 81 |
7 JAZZ IN LITERATURE | 99 |
8 THE ALCHEMY OF JAZZ | 113 |
11 A TEXAS TAKE ON KEN BURNSS JAZZ | 135 |
12 SWINGING THROUGH TEXAS ON A SCOTTISH AIR | 143 |
13 THE BIRTH OF WESTERN SWING | 149 |
Untangling the Legacy of Jelly Roll Morton and Alan Lomax | 159 |
15 DISCOGRAPHIES AND TEXAN JAZZ | 171 |
16 SAN MARCOS IN JAZZ HISTORY | 181 |
NOTES | 187 |
BIBLIOGRAPHY | 223 |
9 ORNETTE COLEMANS HARMOLODIC LIFE | 121 |
10 A JAZZ MASTERS DIAMOND JUBILEE | 129 |
INDEX | 231 |