A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 19
... poetry as the product of a traditional art form (Parry 1971). Linguistic formulae and other traditional patterns provide the performing bard with an economic means of responding to the constraints of oral improvisation. This idea was ...
... poetry as the product of a traditional art form (Parry 1971). Linguistic formulae and other traditional patterns provide the performing bard with an economic means of responding to the constraints of oral improvisation. This idea was ...
Página 22
... poetry on the part of Latin authors. But even the most superficial of glances suggests that the analogy is a false one: Latin poets partake in a poetics of allusion and imitation (imitatio, aemulatio etc.) of which the reception of ...
... poetry on the part of Latin authors. But even the most superficial of glances suggests that the analogy is a false one: Latin poets partake in a poetics of allusion and imitation (imitatio, aemulatio etc.) of which the reception of ...
Página 25
... poets, politicians and whole societies – to make certain connections. Traditions derive their power from people ... poetry. Haubold 2002 suggests an alternative framework for comparative study. CHAPTER TWO The Ancient Reception of Homer ...
... poets, politicians and whole societies – to make certain connections. Traditions derive their power from people ... poetry. Haubold 2002 suggests an alternative framework for comparative study. CHAPTER TWO The Ancient Reception of Homer ...
Página 26
... poetry: the Homeric Hymn to Pan, for example, is not likely to have been composed before the fifth century bce (this ... poem? It may be in the perception of ancient audiences, who heard the poem as Homeric; or in the work of the poet ...
... poetry: the Homeric Hymn to Pan, for example, is not likely to have been composed before the fifth century bce (this ... poem? It may be in the perception of ancient audiences, who heard the poem as Homeric; or in the work of the poet ...
Página 28
... poem: a scholion to Pindar, Nemean 2.1 (in Drachmann 1903–27) claims that a performer of Homeric poetry, called Kynaithios, actually composed the hymn and then tried to pass it off as the work of Homer. The report tallies with modern ...
... poem: a scholion to Pindar, Nemean 2.1 (in Drachmann 1903–27) claims that a performer of Homeric poetry, called Kynaithios, actually composed the hymn and then tried to pass it off as the work of Homer. The report tallies with modern ...
Contenido
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26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words