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" We know not yet what we shall be, nor will it ever enter into the heart of man to conceive the glory that will be always in reserve for him. The soul, considered with its Creator, is like one of those mathematical lines ' that may draw nearer to another... "
The London encyclopaedia, or, Universal dictionary of science, art ... - Página 2
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Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the ...

William Scott - 1820 - 407 páginas
...reserve for him. The soul, considered ja relation to its Creator, is like etie of these mathemati? enl lines, that may draw nearer to another for all eternity, without a possibility of touching1 it : and can there be a thought so transporting, as to consider onrselve* in these perpetual...
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The English Reader: Or, Pieces in Prose and Poetry, Selected from the Best ...

Lindley Murray - 1821 - 253 páginas
...glory that will be always in reserve for him./ The soul, considered with its Creator, is like one of those mathematical lines, that may draw nearer to...ourselves in these perpetual approaches to HIM, who is the standard not only of perfection, but of happiness !/ ADDISON. CHAPTER V. DESCRIPTIVE PIECES. SECTION...
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The English Reader: Or, Pieces in Prose and Poetry, Selected from the Best ...

Lindley Murray - 1821 - 263 páginas
...considered with its Creator, is like one of those mathematical lines, that may draw nearer to •nother for all eternity, without a possibility of touching...so transporting, as to consider ourselves in these perpetunl approaches to HIM, who is the standard not only of perfection, but of happiness ? ADDISO*...
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The English Reader: Or, Pieces in Prose and Poetry : Selected from the Best ...

Lindley Murray - 1821 - 264 páginas
...considered with its Creator, is like one of those mathematical lines, that may draw nearer to anothe there, be a thought so transporting, as to consider...Ourselves in these perpetual approaches to HIM, who is the standard not only of perfection, but of happiness ? ADDISON. CHAPTER V, DESCRIPTIVE PIECES. SECTION...
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Murray's English Reader: Or, Pieces in Prose and Poetry, Selected from the ...

Lindley Murray - 1822 - 304 páginas
...glory that will be always in reserve for him. 13. The soul, considered with its Creator, is like one of those mathematical" lines, that may draw nearer to...ourselves in these perpetual approaches to HIM, who is the standard not only of perfection, but of happiness? ADDISON. CHAPTER V. DESCRIPTIVE PIECES. SECTION...
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The Spectator: With Notes, and a General Index. The Eight Volumes Comprised ...

1822 - 771 páginas
...glory that will be always in reserve for him. The soul, considered with its Crc-ator, is like one of those mathematical lines* that may draw nearer to another for all eternity without a possibility oi touching it: and can there be a thought so transportingras to consider ourselves in these perpetual...
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The Speaker: Or Miscellaneous Pieces, Selected from the Best English Writers ...

William Enfield - 1823 - 346 páginas
...will be always in reserve for him. The soul, considered in relation to it's Creator, is like one of those mathematical lines, that may draw nearer to...only the standard of perfection, but of happiness ? SPECTATOR. CHAP. V. ; ON THE BEING OF A GOD. RETIRE; — The world shut out; — Thy thoughts call...
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Lessons in Elocution: Or, a Selection of Pieces in Prose and Verse for the ...

William Scott - 1823 - 372 páginas
...will be always in reserve for him. The soul, considered in relation to its Creator, is like one of those mathematical lines, that may draw nearer to...only the standard of perfection, but of happiness ! XIII. — The Combat of the Horatii and the Curiatii. THE combat of the Horatii and Curiatii is painted...
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The British Essayists: Spectator

James Ferguson - 1823
...glory that will be always in reserve for him. The soul', considered with its Creator, is like one of those mathematical lines that may draw nearer to another...not only the standard of perfection but of happiness ! L. * Those lines are what the geometricians call the asymptotes of the hyperbola, and the allusion...
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The British essayists, with prefaces by A. Chalmers, Volúmenes5-6

British essayists - 1823
...considered with its Creator, is like one of those mathematical lines that may draw nearer to another to all eternity without a possibility of touching it...not only the standard of perfection but of happiness ! L * Those lines are what the geometricians call the asymptotes of the hyperbola, and the allusion...
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