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" Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is it is productive... "
The Works of the Right Honourable Edmund Burke: A vindication of natural ... - Página 74
por Edmund Burke - 1889
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Modern Philology, Volumen23

1926 - 528 páginas
...sense to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...strongest emotion which the mind is capable of feeling When danger or pain press too nearly, they are incapable of giving delight, and are simply terrible,...
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Gray: Poetry & Prose

Thomas Gray, Samuel Johnson, Oliver Goldsmith - 1926 - 206 páginas
...any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...manner analogous to terror, is a source of the sublime. ... A level plain of a vast extent on land is certainly no mean idea ; the prospect of such a plain...
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On Taste: On the Sublime and Beautiful ; Reflections on the French ...

Edmund Burke - 1909 - 538 páginas
...tes-JTT"a .manner ~ ''~; That Ts, fir productfveof the strongest emotion which the' mind is capaI Ible of feeling.;] I say the strongest emotion, because I am satisfied the Tm-as of pain are much more powerful than those which enter on the part of pleasure. Without all doubt,...
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Susan Fenimore Cooper: New Essays on Rural Hours and Other Works

Rochelle Johnson, Daniel Patterson - 2001 - 332 páginas
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror" (ed. Adam Phillips [Oxford: Oxford University Press, 1990], 36). In its simplest form, the picturesque...
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Righteous Armies, Holy Cause: Apocalyptic Imagery and the Civil War

Terrie Dopp Aamodt - 2002 - 266 páginas
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...more powerful than those which enter on the part of pleasure."24 The powerful psychological effect of the sublime, as described by Burke, explains the...
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The Visionary Moment: A Postmodern Critique

Paul Maltby - 2002 - 196 páginas
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...strongest emotion which the mind is capable of feeling. (39) Burke identified the sources of "terrifying" sublimity in such attributes as "power," "vastness,"...
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Storia dell'ambiente europeo

Robert Delort, François Walter - 2002 - 428 páginas
...1757 il filosofo Edmund Burke definisce così questo concetto: «Whatever is in any sort terrible, or is conversant about terrible objects, or operates...sublime; that is, it is productive of the strongest emotions which the mind is capable of feeling»4. In modo quanto mai evidente, l'enfasi teatrale di...
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Colonialism Past and Present: Reading and Writing about Colonial Latin ...

Alvaro Felix Bolanos, Alvaro Félix Bolaños, Gustavo Verdesio, Gustavo Also Verdesio - 2002 - 312 páginas
...is in any sort terrible, or is conversant about terrible objects, or operates in a manner analagous to terror, is a source of the sublime; that is, it...strongest emotion which the mind is capable of feeling." (36) In the same section he concludes: "When danger or pain press too nearly, they are incapable of...
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Richard Bangs, Adventure Without End

Richard Bangs, Ed Viesturs - 2002 - 228 páginas
...Sublime and Beautiful," Edmund Burke argued that the sublime began with a proper sense of dread; only terror "is a source of the sublime; that is, it is...strongest emotion which the mind is capable of feeling." And even though each final stroke of the day was dissipating to shining ether the solid angularity...
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American Foundational Myths

Martin Heusser, Gudrun Grabher - 2002 - 238 páginas
...in any sort to excite ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...manner analogous to terror, is a source of the sublime" (36). Pittman's reference to God positions her squarely in the Romantic sublime that Roderick Nash...
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