Visions of Jazz: The First CenturyOxford University Press, 1998 M10 22 - 704 páginas Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens the scope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done. |
Dentro del libro
Página 5
... jazz is enjoying an upsurge in popularity , as always in periods of consolidation when the audience is replenished until a new pathfinder unsettles the status quo and frightens it away . It isn't fashionable to point out that this is a ...
... jazz is enjoying an upsurge in popularity , as always in periods of consolidation when the audience is replenished until a new pathfinder unsettles the status quo and frightens it away . It isn't fashionable to point out that this is a ...
Página 7
... jazz phe- nomenon . The marble - bust era entails two responses to the unmanageable past . First , the weeding out of minor figures in a vain attempt to cram all the big guns into a single semester , a concert subscription series , a ...
... jazz phe- nomenon . The marble - bust era entails two responses to the unmanageable past . First , the weeding out of minor figures in a vain attempt to cram all the big guns into a single semester , a concert subscription series , a ...
Página 8
... Jazz is too capacious , generous , and lively an art to surrender to either approach , for in the end both - concise survey and minute specializa- tion - tend to encourage a listener's digest with most of the good parts missing ...
... Jazz is too capacious , generous , and lively an art to surrender to either approach , for in the end both - concise survey and minute specializa- tion - tend to encourage a listener's digest with most of the good parts missing ...
Página 9
... jazz many years ago , " I don't know how such great extremes as now exist can be contained under the one heading . " The word has become so commodi- ous with " great extremes " that its boundaries are no more secure than those of ...
... jazz many years ago , " I don't know how such great extremes as now exist can be contained under the one heading . " The word has become so commodi- ous with " great extremes " that its boundaries are no more secure than those of ...
Página 10
... jazz harmonies would have evolved a lot less quick- ly from the rudimentary chords of " Muskrat Ramble . " I have organized my material under eight general headings that might apply to the evolution of any art . My intention was to get ...
... jazz harmonies would have evolved a lot less quick- ly from the rudimentary chords of " Muskrat Ramble . " I have organized my material under eight general headings that might apply to the evolution of any art . My intention was to get ...
Contenido
3 | |
11 | |
67 | |
A POPULAR MUSIC | 151 |
A MODERN MUSIC | 231 |
A MAINSTREAM MUSIC | 337 |
AN ALTERNATIVE MUSIC | 437 |
A STRUGGLING MUSIC | 527 |
A TRADITIONAL MUSIC | 585 |
Acknowledgments | 655 |
Index of Names | 657 |
Index of Songs and Selected Albums | 671 |
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album alto American arrangements audience ballad bars bass bassist Ben Webster Benny Benny Carter Berlin big band Billy Blue Note brass Carter Cecil Taylor Charlie Parker chords chorus clarinet classic Club Coleman Coleman Hawkins Coltrane Coltrane's composer concert dance debut Dizzy Gillespie drummer drums duet Duke Ellington ensemble Getz Gillespie Goodman harmonic Hawkins Henderson improvisation instrument jazz Jimmy John John Coltrane Johnny Johnny Hodges Jones later Lester Young Lewis listener Louis Armstrong Love Lunceford melody Miles Davis Mingus Monk musicians never Oliver orchestra Orleans performance phrase pianist piano piece played players quartet quintet recorded release repertory rhythm section rhythmic riffs Rollins saxophone saxophonist session Sinatra singer singing solo soloists song Sonny Sonny Rollins sound Strayhorn studio style swing Tatum Taylor tempo tenor Thelonious Monk theme timbre tour trio trombone trumpet tune vamp vocal voice wrote York Young